A solo performance tracing four generations of Indigenous survival in Brooklyn. Through humor, dysfunction, and ceremony, the piece explores how traditions outlawed by the U.S. government were kept alive in urban spaces.
Tipi Tales from the Stoop is represented by Elsie Management. For booking inquiries, contact Laura Colby at laurac@elsieman.org or visit Elsie Management’s official site.

A ritual-based performance that explores the haunting legacies of colonial violence and the spiritual labor of remembrance. Through movement, sound, and ancestral invocation, the piece creates a ceremonial space for grief, resistance, and renewal.

A darkly satirical cabaret-style performance that interrogates the commodification of Indigenous culture in the entertainment industry. Developed with Safe Harbors NYC, the piece blends biting humor, musical numbers, and direct address to expose how Native identity is consumed, distorted, and erased in mainstream media.

A powerful one-woman show that confronts the persistent stereotyping of Native women in popular culture. Originally developed and performed by Murielle Borst Tarrant, it was the only Native American production from the United States featured at the Sydney Opera House during the Festival of the Dreaming.

Murielle served as Associate Director and dramaturge for Spiderwoman Theater, the longest-running Indigenous theater company in the U.S., founded by her family. She directed Muriel Miguel in Red Mother, which toured nationally and internationally.